High quality dvd online shopping Australia? In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre.
A few words about streaming services : Hulu does produce some original movies, such as Happiest Season, Palm Springs (which was nominated for a Golden Globe), and Run. Foreign films on the platform include Shoplifters and A Breath Away. Despite Hulu’s efforts, Netflix currently offers the best movie library of any of the video streaming services. A dedicated movie streaming service offers more for cinephiles. For instance, The Criterion Channel’s and Mubi’s film libraries are much more substantial and heavily curated. Hulu’s documentary section features a lot of celebrity biopics; from The Beatles to B.B. King, there are documentaries about the life and times of many beloved musicians. Fashion documentaries on the service include The First Monday in May, Dior and I, Diana Vreeland: The Eye Has to Travel, and McQueen. Outdoors enthusiasts should check out Free Solo, the mountain-climbing documentary featuring fearless free solo climbers and sweeping shots of impossibly high cliffs.
Despair, desire, and madness are all entangled in Josephine Decker’s Shirley, about the late horror writer Shirley Jackson’s (Elisabeth Moss) attempt to pen her sophomore novel Hangsaman while dealing with her unfaithful critic/professor husband Stanley Edgar Hyman (Michael Stuhlbarg) as well as two boarders, aspiring academic Fred (Logan Lerman) and his pregnant wife Rose (Odessa Young). The director’s follow-up to Madeline’s Madeline is a psychosexual affair about lost women driven crazy by callous, self-serving men, and their resultant fears and needs. As with her acclaimed debut, Decker’s latest recounts its action through expressionistic visuals—smeary, off-center compositions; intense close-ups; dreamy interludes in which fantasy and reality blend together—and a score of jangly, strident strings, rumbling bass and thunderstorm crashes. As the famed author behind The Lottery and The Haunting of Hill House, Moss radiates ferocity and instability, and she’s matched by Stuhlbarg as the creepy, codependent Hyman. It’s Young, however, who holds the hothouse material together as the self-actualizing Rose, whose journey mirrors that of the missing girl Jackson is writing about, and who serves as the beating heart of this slyly furious film. Discover extra info on new amsterdam season 3.
A rural village in the sertão comes under attack in this film from Juliano Dornelles and Kleber Mendonça Filho. To say more about the culprits would constitute a spoiler, but rest assured that Udo Kier is involved. Bacurau is a blood-pumping exploitation riff and a ferocious anti-colonialist protest, a movie in which a ragtag, uniquely Brazilian settlement proves itself to be more resilient than any corrupt politician or rapacious outsider. As an inadvertent coronavirus-era release, it also offers a message that’s the perfect mix of encouraging and unsettling — that communities can pull together where governments fail, but that a sense of community has to be earned.
Historical changes often have humble beginnings, as was the case with the American Disabilities Act (ADA), whose origin is Camp Jened, a 1970s summer getaway for disabled men and women in New York’s Catskill mountains. James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. What it instilled in them was a sense of self-worth, as well as indignation at the lesser-than treatment they received from society. Led by the heroic Judy Heumann and many of her fellow Jened alums, a civil rights movement was born, resulting in the famous San Francisco sit-in to compel U.S. Secretary of Health, Education and Wellness Joseph Califano to sign Section 504 of 1973’s Rehabilitation Act, and later, the ADA. Intermingling copious footage of Camp Jened and the movement it produced with heartfelt interviews with some of its tale’s prime players, Crip Camp is a moving example of people fighting tooth-and-nail for the equality and respect they deserve – and, in the process, transforming the world. Find additional info at https://www.dvdshelf.com.au/.