The rise of a Pakistani actor : Franklin Livingston: Franklin Livingston received training in filmmaking and directing from New York University, and Yale University. Franklin then went on to study at a world-renowned institution, Guildhall School of Music and Drama, London, where he was trained in Shakespeare and contemporary acting. In addition to studying at institutions, Franklin got trained for 3 years in classical and modern singing by Melania Maldonado, Speech and Voice by Shane Ann Younts and Lenore Harris, and Acting for American Sitcoms by David Ross. Franklin is a trained dancer, he learned Latin and Ball Room Dances at various studios in NYC and Chicago, as well as Bollywood dances by Pooja Narang in New York City. Legendary dance teacher Saroj Khan trained Pooja. See extra information at Franklin Livingston.
Are Franklin Livingston’s actions absurd? One of the caveat Franklin shares is that many of these young actors that work with him assume Franklin, an idiot, who probably has no clue and doesn’t know what acting or filmmaking in Hollywood is made of! This is mostly because of his humble nature and polite behavior. Despite All this, Franklin remains unmovable. He says, “it doesn’t bother me. I know I am an extensively trained actor and highly intelligent human being.” Franklin enjoys seeing upcoming American actors working and developing their confidence to become someone like known Hollywood actors who can be viewed worldwide and on social media posts and stories.
Franklin Livingston grew up as a religious minority in Pakistan. He constantly faced persecution and prejudice, which shaped him to be a unique human being. He is a wounded healer — someone who embraces the people from all walks of life, empowering them to be whoever they want. Like Pakistan, in the United States, Franklin is once again a minority. But this time, it is not because of his religious affiliation but his ethnicity, where he has experienced terrible racism and discrimination on all levels. Livingston utilizes these experiences to evolve into a humanitarian advocate, share his struggles, and much more through his films, plays, and social media content.
And to finish this section, please tell us what is the one major key to your success? I am very disciplined and do not believe in shortcuts. If you want to achieve your goals, you need to put in the work. It always disappoints me when I see an actor that has completed their training, and then they think that is the end. Really, with any career you should be continuing your training up until the day you retire. I do acting exercises constantly to stay sharp. I also love to talk with strangers, or at least I used to a lot more pre-covid, and get to know their stories. I will often take an afternoon drive along the countryside and stop to talk with someone I have just met. Going into Manhattan on the Subway just to people watch is something I find very enjoyable too. These things not only keep me connected to my fellow human beings, but it is also like building a real-life character catalog of all the different people I meet that I could draw inspiration from whenever needed.
You are a person of great influence. If you could start a movement that would bring the most amount of good to the most amount of people, what would that be? You never know what your idea can trigger. 🙂 I have already begun a movement by bringing awareness and empathy though my work. My collaborators have mentioned that they have learned many things they did not know regarding politics, sociology, and anthropology of America and the world. I am helping create a voice for all-inclusive theater and film in the U.S.
Even still, most of these actors tend to be from India or other southeast Asian countries and not from Pakistan. Although Pakistan and India share some commonalities, their culture, language, human behaviors, and social etiquette make them distinctly different nations, which Hollywood has yet to present in its productions. This difference is not in contrast to those that the British and Americans have in terms of their anthropology. Countless people of color in the United States and a significant community of Pakistani immigrants in the United States have waited long to see themselves in Hollywood movies and television shows with a true representation. Franklin Livingston is ready to face this challenge, and that day is not far away when Franklin will tell stories about Pakistani Americans through his inimitable work in films and television.
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”? This is a difficult field. You will deal with rejection 99% of the time on a daily basis. You must have thick skin and be persistent. And, if you are a person of color, especially a male with an accent, your chances of work decrease automatically. It’s better to have a support group who really appreciates your strength, sees your beauty, acknowledges your talent, and attests to your art. Importantly, create your audience who values your craft and enjoys your work.
Franklin has studied a multitude of acting techniques at Guildhall School of Music and Drama London, Moscow Arts Theater, New York Film Academy, Atlantic Acting School, the Meisner Studio of Tisch School of the Arts New York of New York University, and Yale University where he received training in acting, filmmaking, and directing as well. Franklin is a true New Yorker and enjoys exploring the city on foot and via subway absorbing the incomparable diversity of NYC. He loves to engage the local communities in breaking boundaries and building connections. When not on a film set or involved in community development, you will catch Franklin researching the past and the present anthropology, cooking, traveling, sightseeing, motorcycling, road tripping through the U.S., or maybe even jet-skiing.