Audio plugins for sale from Bluetechaudio? One of the more obvious ways to make a sound yours is to layer sounds together. Software such as Reason, with its great Combinator, makes layering a lot more creative, so explore all of your blending options. However, layering can be as easy as loading in a couple of audio files and playing them together – although be sure to be creative in your EQing, so that they blend together, rather than just play at the same time. While you’re undergoing this reverse-engineering process, you’ll hear something great along the way that you can call your own, and crucially, you’ll learn a great deal about the synth into the bargain.
If you take only one thing away from this article, hear this: The ears’ natural frequency response is non-linear. More specifically, our ears are more sensitive to mid-range sounds than frequencies at the extreme high and low ends of the spectrum. We generally don’t notice this, as we’ve always heard sound this way and our brains take the mid-range bias into account. It does, however, become more apparent during mixing, where relative levels of instruments (at different frequencies) change depending on the overall volume you’re listening at. Even though your own ears are an obstacle to achieving a perfect mix, there are simple workarounds to this phenomenon. You can also manipulate the ears’ non-linear response to different frequencies and volumes in order to create an enhanced impression of loudness and punch in a mix – even when the actual listening level is low.
You’ll also probably want to tweak the levels of each side (relative to each other) to maintain the right balance in the mix and the desired general left-right balance within the stereo spectrum. You can apply additional effects to one/both sides, like applying subtle LFO-controlled modulation or filter effects to the delayed side. A word of caution: Don’t overdo it. In a full mix, use the Haas Effect on one or two instruments, maximum. This helps you avoid unfocusing the stereo spread and being left with phasey mush. There are limits to how well our ears can differentiate between sounds that occupy similar frequencies of human hearing. Masking occurs when two or more sounds sit in the exact same frequencies. Generally, the louder of the two will either partially or completely obscure the other, which then seems to ‘disappear’ from the mix. Read extra details on Buy Audio and Midi plugins.
If you want to get better at music producing, you MUST understand how the Fletcher-Munson curve works. In 1930s, Bell Telephone researchers, Harvey Fletcher and Wilden A. Munson, published a paper in the Journal of the Acoustic Society of America entitled “Loudness, its Definition, Measurement and Calculation.” They presented a set of curves which they called Fletcher-Munson Curve. The experiment showed how loud you will need to play, testing different frequencies to profess at the same loudness. The opposite of the quick and loudness effect of the ears nonlinear response is just as useful for mixing purposes. To make the sounds sound further away, you must learn to produce a sense of frontal and backward depth in your mix. For example, you must aim to push certain instruments further away. While at the same time, keeping otheir sounds in the forefront. To achieve this we must learn to adjust the sounds high and low frequency energy.
We are a registered company in Pittsburgh, PA, USA. We are passionate about music creation. We are committed to having the best tools available to music producers throughout the world at the best prices possible. We are authorized dealers for every software or hardware item that we sell. We purchase directly from either the manufacturer of the item, or from their authorized wholesale distributors. Read extra information on https://bluetechaudio.com/.